Shoulder tension release

EMOTIONAL SHOULDERS
We often experience our emotions in our shoulders – lifting them up around our ears when we feel stressed or collapsing them forward when we’re tired – which, when done repeatedly, can lead to shoulder tension. The body and mind are intrinsically linked which means when we have mental tension it becomes physical tension and similarly if we have physical tension it can lead to mental tension. We can use this body-mind link in reverse to dissipate stress & tiredness by releasing this physical tension in the shoulders and releasing mental tension as a body mind knock on effect.

Shoulder tension doesn’t always come from our emotions. Working at a computer for extended periods compromises your posture in a chain reaction – lower spine flattens, upper chest collapses, shoulders roll forward and neck over extends. Which is why at the end of a working day the back, shoulders and neck can feel exhausted. Habitual poor posture will do a similar thing to your shoulder girdle position. If your hips are inclined to tip back, which is the more common misalignment, the lower back becomes flattened and loses its natural curve, while the upper back becomes over-rounded and pulls the shoulder forward similar to the sitting position above.

The shoulders are a complex and shallow joint with great mobility, which makes them more prone to instability than the deeper simpler hip joint. The two main bones of the joint are the arm bones (humerus) and the shoulder blades (scapula). The head of the humerus sits in a shallow socket on the side of the scapula. Both bones have movement potential in shoulder range of movement, which adds to the complexity of the shoulder joint. For example when the arm lifts out to the side into abduction, the humerus moves in the socket of the scapula on its own for the first part of the movement, then when it hits its full range and bone hits bone the scapula rotates upwards to facilitate even greater movement. If the scapula was fixed on the back of the ribs we would have very limited movement of the shoulder joint.

MFR & YOGA FOR THE SHOULDERS
If we look at the two main shoulder positions that we lean towards, shoulders lifted and shoulders collapsed forward, we can identify the muscles that are most likely to be overworking to hold the shoulder in these positions. We can then work towards releasing these muscles with MFR, or myofascial release, and yoga poses that stretch these muscles and strengthen the muscles that will bring the shoulder down and roll them back. The two main culprits for the lifted shoulders are levator scapula and the upper trapezius. When these two muscles are overfiring the neck can get compressed which can also lead to tension headaches. The main culprit for the shoulders collapsed forward is the pecs at the front of the chest. MFR not only hydrates the connective tissue, it gives immediate, but not long term, increased range of movement (ROM). Doing MFR before your yoga practice increases ROM and when followed by targeted stretching poses will incrementally capture this ROM each time you do this MFR/yoga formula. You can read more about MFR & yoga in my recent article.

EXPLORING SHOULDER TENSION RELEASE IN YOUR PRACTICE
This sequence starts with MFR techniques to release the levator scapula and the upper trapezius at the back of the shoulder, pecs at the front and lats under the armpit. You will capture the increased range of movement from the MFR in the three mini flows in the first row. Focus your attention on your shoulder and look for symmetry left and right. If you find a sticky area, reduce your range of movement and stay away from pain. Don’t force your shoulder range of movement. The two standing flows will bring your shoulder into all the different directions. You might notice some directions are easier for you than others. This is very normal. We are all very individual and often asymmetrical too. You will end with some MFR on the back of the skull. This is a lovely technique that is great for relieving tension headaches associated with shoulder tension. Finally give yourself at least 5 mins to allow the shoulder to rest in Savasana after the sequence.

MFR ALIGNMENT CUES
No. 1 - Levator scapula & trapezius 
Compression - from supine with knees bent, place 2 x balls in the centre of each upper shoulder, gently press down with an inhale and release on the exhale x 5 breaths. 

Sheer - slowly circle arms overhead and back to the ground x 5.

No.2 - Pecs & lats 
Rocking - from side lying, place the brick on its mid height in the centre of the armpit. Rock your weight back and forward for the lats then pull the brick a little more forward and rock forward and back for the pecs.

No.3 - Back of skull 
Lie on your back and place a brick on its lowest high just below the curve at the back of your skull (occipital ridge). Extend your legs out, arms slightly away from your body, palms facing up. Legs slightly apart and feet fall out to the side, soften your shoulder, back of the neck long. Gently roll your head from side to side to ease out tension in the muscles at the back of the skull. Roll your head mid way to your right, pause and make small circles, repeat on the left side. Remove the brick, soften the muscles across your forehead, your temples, the back of your skull. Let the whole body become heavy and melt into the support of the ground.

ALIGNMENT CUES
Have a read of the tips below and either print out the sequence or save it onto your device:

• Move slowly through the sequence and repeat the two standing flows for 2 or three rounds per side to get some good fluid movement in the shoulder.

• If you are experiencing any tenderness in the shoulder, reduce your range of movement to stay out of pain.

• Observe the movement in both the arm bone and the shoulder blade as you move through the sequence.

• Use the breath guide in the sequence to help you link breath with movement in the flow. Inhale is indicated with a ‘+’, exhale is a ‘-”.

To save the images for personal use click and hold down the image until the ‘save image’ option appears; on Mac hold down ‘control’ and click the image to get the option box; on PC right click on the image to get the option box. Scroll down in the ‘option box’ and click ‘save image’.

Ruth Delahunty Yogaru

Brick party

PROPS ARE KING
Bricks are one of the best and most versatile yoga props. Contrary to popular belief they are not just for beginners. I use bricks almost every time I practise and usually start my practices with a bit of breathwork sitting on a brick. I love nothing more than inventing new ways to use bricks to keep my practice fresh and create more opportunities for stability and mobility. My two favourite ways to use them at the moment are to stand on a brick to add challenge in standing balancing poses like Vrksasana/Tree and under the hands to take the pressure off the wrists and help get the heels to the ground in Adho Mukha Svanasana/Downward Facing Dog. 

The most traditional way to use them is to extend your reach when your arm doesn’t reach the ground in standing poses like Ardha CHandrasana/Half Moon. There are lots of other uses – squeezing the brick between the arms or the thighs to build strength in poses like Utkatasana/Chair; holding the brick overhead to add a little more weighted challenge in poses like Ashta Chandrasana/Crescent Moon; under the hands to give more space for the spine and chest to move in movements like Cat/Cow; or under the hips to reduce hip flexion in poses like Paschimottanasana/Seated Forward Fold. They can also be used in myofascial release (MFR) techniques to release shoulder or back of the skull tension and are very much part of the important prop world of restorative yoga.

FOAM OR CORK?
Bricks have three different height options which makes them very adaptable – standing up tall, on their long side and flat. There are two different types of brick – foam and cork. Foam are softer and lighter weight, and are best for sitting on, extending your reach, and restorative poses. While cork bricks are harder and heavier, and give sturdier support but are not very suitable for MFR or restorative. For this reason I use Yogamatters foam bricks in my own practice and with my students. If buying bricks always buy them in pairs. Even if your intention is to sit on one or use it to extend your reach you will definitely use two or more at some point in your practice.

EXPLORING BRICK PARTY IN YOUR PRACTICE
Ths sequence gives you lots of different ways to use bricks in your practice but is by no means an exhaustible list. It will get you started and hopefully inspire you to keep your bricks at the top of your mat and play around with them as you practise even if you are following a sequence without bricks. In this sequence you will use the bricks to extend your reach, squeeze between your thighs and hands, give more space for the spine to move, sit on, prop under hips and finish with a lovely back of the skull massage (detailed below). You will notice how adding a simple prop can dramatically change the feeling of a flow and help you access your interoception or your inner body awareness which is an important skill in maintaining health. In the mini flows where the brick is between your thighs or hands, focus your attention on squeezing the brick and not letting go of the force you create as you move from the two poses. If Ardha Chandrasana/Half Moon and Ardha Chandra Chapasana/Half Moon Sugar Cane are not part of your practice you can leave them out. The focus of this sequence is exploring ways to use yoga bricks in your practice and inspire you to get creative with simple yoga bricks.

MFR BACK OF SKULL 
Lie on your back and place a brick on its lowest high just below the curve at the back of your skull (occipital ridge). Extend your legs out, arms slightly away from your body, palms facing up. Legs slightly apart and feet fall out to the side, soften your shoulder, back of the neck long. Gently roll your head from side to side to ease out tension in the muscles at the back of the skull. Roll your head mid way to your right, pause and make small circles, repeat on the left side. Remove the brick, soften the muscles across your forehead, your temples, the back of your skull. Let the whole body become heavy and melt into the support of the ground.

ALIGNMENT CUES
Have a read of the tips below and either print out the sequence or save it onto your device:

• Take your time, move slowly and notice how practising with the brick changes how you move.

• Keep this sequence and play around with adding these brick versions of poses in some of your other practises and even explore your own ways to use bricks.

• For a longer practice repeat one or both of the standing flows.

• Use the breath guide in the sequence to help you link breath with movement in the flow. Inhale is indicated with a ‘+’, exhale is a ‘-”.

To save the images for personal use click and hold down the image until the ‘save image’ option appears; on Mac hold down ‘control’ and click the image to get the option box; on PC right click on the image to get the option box. Scroll down in the ‘option box’ and click ‘save image’.

Ruth Delahunty Yogaru

The respiratory system

ENERGY GENERATION
The respiratory system is made up of the nose, mouth, throat, voice box, windpipe, lungs, and diaphragm. It is responsible for bringing oxygen in, to create cellular energy (ATP), and removing carbon dioxide, which is a by-product of this energy production. When we breathe in, a gaseous exchange takes place between millions of little sacs in the lungs, called the alveoli, and a network of blood capillaries that surround the alveoli. Oxygen from the inhaled air swaps over with carbon dioxide from the deoxygenated blood in the capillaries, creating oxygenated blood ready to be transported around the whole body by the circulatory system. Carbon dioxide is not just a byproduct of energy, it is the key to this exchange in the capillaries. When there are low levels of carbon dioxide in the blood there is reduced oxygen absorption. The body is more sensitive to low levels of carbon dioxide than low levels of oxygen. When carbon dioxide levels are low it creates ‘air hunger’ and an urge to breathe. 

The main muscle of respiration is the diaphragm. The action of the diaphragm is a bit counterintuitive. You would expect the contracted phase to be when the chest is contracted, but it is the opposite. On an exhale the diaphragm relaxes, domes up into the thoracic cavity and pushes the air out of the lungs. While on an inhale it contracts, flattens down towards the abdominal cavity and pulls air into the lungs. When it contracts it creates a decrease in pressure in the lungs. This is what causes the air to be pulled into the lungs through the nose and mouth to rebalance the pressure. The respiratory system is part of the autonomic nervous system, which means it works involuntarily without us having to think about it. What makes the breath unique is that we can also voluntarily control it, to a certain extent, by extending, shortening and holding the breath depending on the desired outcome. 

PRANAYAMA LIFE FORCE
The breath has a huge impact on our overall wellness. Not only does It brings in oxygen, it also decreases stress, helps relieve pain, stimulates the lymphatic system, improves immunity, increases energy, improves digestion, and even plays an important role in good posture. Our emotional state has a profound effect on our breath. When we are feeling stressed the breath rate increases, when we are feeling relaxed our breath rate slows. We can use this principle so that our breath can have a positive effect on our emotional state. In the world of yoga this conscious breathwork is called pranayama. The direct translation of the Sanskrit word pranayama is up for debate. The version that makes most sense to me is prana-life force, yama-control - ‘life force control’. The breath being the source of life.

With pranayama we can upregulate the nervous system by tapping into the sympathetic nervous system (fight & flight) or we can downregulate the nervous system by tapping into the parasympathetic nervous system (rest & restore). Although referred to as the flight & flight response, the sympathetic nervous system is not all about stress, it is also what gets us up in the morning and gives us the energy to be productive during our day. Techniques that focus on the inhale, inhale retention, speeding up and increasing the breathing rate are energising practices and best practised in the morning or anytime of the day where you need a quick energy boost. While techniques that focus on the exhale, exhale retention, slowing down and decreasing the breathing rate are calming practices and are best practised in the evening or anytime of the day where you need a calm moment. A pranayama practice which includes a bit of both creates a calm focus and can be practised anytime of day.

EXPLORING THE RESPIRATORY SYSTEM IN YOUR PRACTICE
Breathing consciously is an important component of yoga and is one of the main elements that makes it different, and more beneficial, than other exercise or movement disciplines. In yoga we nose breath to further increase the benefits of the breath. Nose breathing slows down the breath, allows more time for gaseous exchange and increases lung volume. The nasal cavity also produces and adds nitric oxide to the incoming air, which increases oxygen absorption, has antifungal, antiviral and antibacterial properties. Nitric oxide also promotes learning and memory recall and is the reason why there is an increase in awareness of the benefits of sleeping with your mouth closed at night.

This sequence incorporates pranayama techniques throughout the sequence. The illustrations give you the inhale (+), exhale (-) and pause (p) count information. When flowing from one pose to another you will arrive into your pose at the end of the count given and hold the breath for the pause count given. For example in the first mini flow, in the row, you will take an inhale in Cow Pose for the count of 1, then exhale and transition into Child's Pose for the count of 6, then pause exhaled in child's pose for the count of 1. You will move through the breath progression until you arrive at 1 inhale, 4 exhale, 4 pause, and repeat this 3 times. Similarly with the standing flows you arrive into the pose at the end of your inhale or exhale. It ends with a pranayama technique called Viloma where you inhale and break the exhale down into three counts of 2.

ALIGNMENT CUES
There is no specific peak pose in this respiratory system sequence. This one is all about the breath so focus your attention on a smooth inhale and exhale rather than getting too caught up with your alignment..

Have a read of the tips below and either print out the sequence or save it onto your device:

• Use the breath guide in the sequence to help you link breath with movement in the flow. Inhale is indicated with a ‘+’, exhale is a ‘-” and a pause where you hold your breath is a ‘p’.

• Pause and breath at the end of each standing flow for as many breaths as you need to give the counted breath a break.

• For a longer practice add in a Sun Salutations at the start of each mini flow or repeat each mini flow.

To save the images for personal use click and hold down the image until the ‘save image’ option appears; on Mac hold down ‘control’ and click the image to get the option box; on PC right click on the image to get the option box. Scroll down in the ‘option box’ and click ‘save image’.

Ruth Delahunty Yogaru